Ungdomsprogrammet På Stedet 20. januar 1988

WEBVTT

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Velkommen til på stedet.

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I aften har vi inviteret en af ophavsmændene

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fra Roskilde Frekvensen hernede på stedet.

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Tidligere har Jan besøgt Roskildes ældste villa, da

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den var under restaurering.

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Nu har han været nede og set det

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færdige resultat.

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Derefter har vi gået bag kulisserne i kino,

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da der blev vist Pelle i robrøn for

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en skoleklasse.

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Men først skal vi se en musikvideo, og

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det er Belinda Carlye med Heaven is a

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Place on Earth.

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Heaven is a place on earth.

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Ooh, heaven is a place on earth.

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When the night falls down, I'll wait for

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you as you come around.

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When you walk into the room, you pull

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me close, now it's time to move.

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And we're spinning with the stars above, and

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you lift me up in a wave of

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love.

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Ooh, baby, do you know that's why?

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Ooh, heaven is a place on earth.

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They say heaven, love comes first.

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We'll make heaven a place on earth.

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Ooh, heaven is a place on earth.

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When I feel so alone, I reach for

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you and you bring me home.

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When I'm lost at sea, I hear your

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voice and it carries me.

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In this world we're just beginning to understand

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the meaning of living.

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Baby, I wasn't made before, I'm not as

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brave anymore.

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Ooh, baby, do you know that's why?

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Ooh, heaven is a place on earth.

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They say heaven, love comes first.

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We'll make heaven a place on earth.

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Ooh, heaven is a place on earth.

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Ooh, baby, do you

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know that's why?

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Ooh, heaven is a place on earth.

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Ooh, baby, do you know that's why?

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Ooh, heaven is a place on earth.

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In this world

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we're just beginning to understand more.

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I'm not as brave anymore.

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I'm not as brave anymore.

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Ooh, baby, do you know that's why?

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Ooh, heaven is a place on earth.

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They say heaven, love comes first.

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We'll make heaven a place

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on earth.

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Ooh, heaven is a place on earth.

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Ooh, heaven is a place on

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earth.

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The question will be asked several times later.

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In the beginning it was purely for ideological

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reasons.

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We thought we could make the radio in

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a different way than what was made in

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the city.

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And then it was...

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If you think back and evaluate why...

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Purely for ideological reasons, but...

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Analyzing some ideas that were not possible under

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the conditions of the radio station we came

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from.

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Now you say we.

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Who is working on the radio frequency?

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There are seven of us.

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But the people you refer to are Kone

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Bøh, Hellesgaard and myself.

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Who have been on the radio in the

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past.

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You three, who have done everything to get

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this radio running.

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You are of course part of it.

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What about the others?

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They are people with different backgrounds.

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People of different ages.

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There are some who are 16 years old.

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We have one who is 75, who is

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also part of it.

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It gives a good, varied radio.

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It gives a good, varied atmosphere.

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Some people come from abroad with some ideas.

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They come with some inspiration for us who

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are stuck up there.

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This is what we do today.

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A local radio, like ours, with the broadcast

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we have, requires many more people.

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But reasonably, it is hand-picked.

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The people we have to work for us

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now, are people we know.

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We have come into contact with people who

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have been up and at 16.

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We could think of helping them.

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Then we said, let's do a sound test

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and make some programs.

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And then it just worked.

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The funniest thing was that we had a

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guy who listened to us in Copenhagen.

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He came by on a Saturday morning and

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said to us, I have made radio on

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Radio Viborg and I have made radio on

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Radio Herning.

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So he said, I could think of making

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radio for you as well.

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And I tried it.

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And then we called him at the studio

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and it worked.

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And then he came in and made a

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couple of hours.

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When do you send?

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We send from 8.30 every day.

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And we send at 4.10 every day.

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On Fridays and Sundays.

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And on Saturdays we send from 8.30

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until 2.00. A two and a half

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hour break.

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And on Sundays we send from 8.30

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until 11.30 in the evening.

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And we hope that we can expand in

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the short term.

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Because there is a big requirement.

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First you start by making radio.

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And then you experience that there are a

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lot of people who can't be heard.

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In the usual time of the day you

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go to work until 4.00. And then

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unfortunately you can't be heard.

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So there is a need for us listeners

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to have a couple of hours more connected.

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Especially in the evening?

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Yes.

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Making radio in the evening is a long

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-term prospect.

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Because it is a very expensive business.

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And it requires a lot of resources.

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And under the current law that you can't

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send a camera.

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It can be very difficult.

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You experience that the people who need to

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help you.

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To answer your questions and orders.

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They are difficult to get hold of.

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And it is difficult to get the people

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to come.

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When you want to have it to fit

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into your plans.

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Okay.

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But what is the cost of making radio?

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What is a lot of money?

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Yes.

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If you want to make a radio that

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runs.

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That at least has the send time that

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we send.

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Then you have to run around with 1

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.500-2.000.000 DKK a year.

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To make it fast enough.

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That's a lot of money anyway.

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It is a lot of money that has

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to be built on the legs.

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One of the reasons we can make it

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a little cheaper at the current time.

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It is clear that we have a lot

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of workforce in each case.

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Especially the main forces.

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Kone Bøh, HHK and me.

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HHK can go for a minimum wage.

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And that means that what you normally would

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give to wages.

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We can always cut that down.

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But apart from the fact that you work

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for minimum wages.

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Where do you get your income from?

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Yes, that's a good question.

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I would say that when the money has

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come from home.

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In some ways at work.

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Then we have a bit of a backlash

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on it.

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But it is partly true.

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I would say that we still get support.

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There are a lot of people who are

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willing to give us some money.

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Partly as a permanent support contingent.

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And partly because of the fact that we

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think we are a good radio station.

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It is a support association.

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It may be that we just have to

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briefly discuss it.

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What is it about?

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Support association.

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It is like all other support associations.

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Namely itself.

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It should support the transmission frequency.

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That's what it's made for.

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It is made so that we can get

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the radio to listen.

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It is also the case, as mentioned earlier.

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Now that there is a law, we will

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not be able to advertise ourselves.

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So we have, in addition to the support

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association.

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Only the possibility to get funding.

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Via corporate contracts.

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And then via paid information.

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I was thinking of people who want to

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be a part of your support association.

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Can they just turn to you?

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Yes, certainly.

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No problem.

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What it is about to make a support

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association.

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It is about getting some people activated.

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In making the radio transmission frequency.

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And that means that we use our support

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association more than just to support us economically.

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We also use it to make money on

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new ideas.

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And we have a part of the support

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association.

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We talk to them regularly.

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And we have a regular contact with them.

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And we say.

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Now we are going to make these programs.

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What do you think about it?

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And in this way we get a very,

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very good response to it.

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And then we try the programs the next

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day.

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So we use it as an economic support.

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What kind of programs do you make?

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Are they different from the other programs we

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can hear on the radio?

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The basic idea of making a program.

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Or making local radio.

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I always make radio.

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It is to make entertainment for people.

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It is nothing more and nothing less.

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It is regardless of whether it is news

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or what it is.

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It has to be entertaining.

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And the programs we make.

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We have something called business.

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Or we have something called business service.

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Where we look at the problems that the

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business side can have.

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We hire a company in the business market.

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Sometimes we call it the business profile.

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Where we go down and visit them.

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And talk a little with them.

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To learn about their cooperation.

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And give a picture of the business.

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And then we do that.

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We look at the legal problems that people

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can have in their daily life.

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We do that in the program we call

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AdvocateJournal.

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We have something we call Freidel & Carklund.

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But it is about looking at how the

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business side is.

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Not only legally.

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But also about buying goods.

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What should you buy?

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How do you buy a car?

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Are there any good offers?

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What should you watch out for when you

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buy a car?

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And so on.

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All those problems that the business side has.

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Yes.

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But then you also have a lot of

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music.

279
00:13:41.260 --> 00:13:41.700
Yes.

280
00:13:41.980 --> 00:13:42.800
You have to say that.

281
00:13:42.860 --> 00:13:46.480
It's like the local radio stations are built

282
00:13:46.480 --> 00:13:46.760
up.

283
00:13:46.800 --> 00:13:47.840
They are built up on music.

284
00:13:48.740 --> 00:13:50.440
And you have to say that you have

285
00:13:50.440 --> 00:13:52.400
to reach 50% of all the broadcasts.

286
00:13:52.500 --> 00:13:52.920
It's music.

287
00:13:53.380 --> 00:13:55.060
And that's what we get from all the

288
00:13:55.060 --> 00:13:55.800
local radio stations.

289
00:13:56.640 --> 00:13:59.000
Some of them stretch to 75%.

290
00:14:00.220 --> 00:14:03.240
But I don't think that's the way forward.

291
00:14:03.920 --> 00:14:05.960
I think it has to be 50-50.

292
00:14:06.280 --> 00:14:08.640
With music and the broadcasts that have to

293
00:14:08.640 --> 00:14:08.960
be here.

294
00:14:08.960 --> 00:14:09.960
What about sports?

295
00:14:10.260 --> 00:14:11.260
We also have a lot of that.

296
00:14:11.280 --> 00:14:12.040
You also have a lot of that.

297
00:14:12.600 --> 00:14:13.620
I know a little bit about that.

298
00:14:14.460 --> 00:14:16.620
Could you tell us when you broadcast it?

299
00:14:17.180 --> 00:14:22.340
We broadcast sports from 17.30 to 19

300
00:14:22.340 --> 00:14:25.280
.30. Sometimes 20.00. Sometimes 20.10. It

301
00:14:25.280 --> 00:14:26.200
depends on how much sports there is.

302
00:14:26.240 --> 00:14:27.280
We broadcast it at 17.00. It's at

303
00:14:27.280 --> 00:14:29.260
17.00. And then we have performances during

304
00:14:29.260 --> 00:14:29.700
the week.

305
00:14:30.000 --> 00:14:32.840
If there are good sports results, it comes

306
00:14:32.840 --> 00:14:34.480
with what we have.

307
00:14:34.580 --> 00:14:36.860
It comes in the air.

308
00:14:36.860 --> 00:14:41.020
We had the pleasure, some time ago, to

309
00:14:41.020 --> 00:14:43.100
bring the news that there was a Kobe

310
00:14:43.100 --> 00:14:45.000
bear that had been sold to Australia.

311
00:14:46.080 --> 00:14:48.480
It was a bit of a funny story,

312
00:14:48.640 --> 00:14:50.920
because we knew someone who knew someone we

313
00:14:50.920 --> 00:14:52.800
didn't know, who could come to the news

314
00:14:52.800 --> 00:14:53.600
that he had been sold.

315
00:14:53.840 --> 00:14:54.880
And at the same time, while we were

316
00:14:54.880 --> 00:14:56.860
actually sitting at the press conference in Copenhagen,

317
00:14:56.980 --> 00:14:58.000
we were able to bring it on the

318
00:14:58.000 --> 00:14:58.100
radio.

319
00:14:58.340 --> 00:15:00.160
It's a fairly exclusive thing.

320
00:15:00.340 --> 00:15:01.520
Yes, you have to say that.

321
00:15:02.060 --> 00:15:03.420
But what is it that you would like

322
00:15:03.420 --> 00:15:04.960
to be known for on the broadcast frequency?

323
00:15:06.240 --> 00:15:07.980
We would all like to be known for

324
00:15:07.980 --> 00:15:09.160
something special, in one way or another.

325
00:15:09.920 --> 00:15:11.240
Yes, we would like to be known for

326
00:15:11.240 --> 00:15:12.720
entertaining radio.

327
00:15:12.960 --> 00:15:13.920
That might be what it stands for.

328
00:15:14.740 --> 00:15:15.600
Entertaining radio.

329
00:15:15.700 --> 00:15:16.380
Pleasant radio.

330
00:15:16.940 --> 00:15:18.240
That's the key word.

331
00:15:18.840 --> 00:15:20.520
That's your image, you hope?

332
00:15:21.080 --> 00:15:21.240
Yes.

333
00:15:21.680 --> 00:15:22.040
Good.

334
00:15:22.460 --> 00:15:24.240
How far away can people hear you?

335
00:15:25.500 --> 00:15:26.660
Yes, that's a good question.

336
00:15:29.800 --> 00:15:32.200
Those who don't belong to us are also

337
00:15:32.200 --> 00:15:35.200
welcome to contact us, and tell us that

338
00:15:35.200 --> 00:15:35.740
they don't belong to us.

339
00:15:35.840 --> 00:15:37.540
But in general, we can reach out in

340
00:15:37.540 --> 00:15:39.460
some directions.

341
00:15:39.580 --> 00:15:41.520
We can reach out to Rødovre, we can

342
00:15:41.520 --> 00:15:43.760
reach out to Nykøbing, or in other directions.

343
00:15:45.320 --> 00:15:49.380
And we can reach out to big cities.

344
00:15:51.100 --> 00:15:54.240
But you can't immediately say that you want

345
00:15:54.240 --> 00:15:56.100
to make a big circle in that area.

346
00:15:56.800 --> 00:15:58.040
Because that's not how it works.

347
00:15:58.400 --> 00:16:00.000
That's not how it works when you make

348
00:16:00.000 --> 00:16:01.460
radio broadcasts.

349
00:16:01.780 --> 00:16:04.700
But from today, you have been connected to

350
00:16:04.700 --> 00:16:05.240
the hybrid network.

351
00:16:05.640 --> 00:16:06.120
Yes.

352
00:16:06.160 --> 00:16:06.900
Or you can run it through.

353
00:16:07.080 --> 00:16:08.800
What does that mean for the individual listener?

354
00:16:09.900 --> 00:16:11.500
First of all, it means that it has

355
00:16:11.500 --> 00:16:12.940
a fantastic sound quality.

356
00:16:13.320 --> 00:16:15.160
And it also means a bigger demand when

357
00:16:15.160 --> 00:16:15.780
we play records.

358
00:16:15.960 --> 00:16:18.500
Because that means that it will always work,

359
00:16:18.900 --> 00:16:20.120
when you turn off your phone and turn

360
00:16:20.120 --> 00:16:20.620
on your radio.

361
00:16:21.320 --> 00:16:22.920
If there is a bad record on, and

362
00:16:22.920 --> 00:16:25.580
you can hear everything, then you will hear

363
00:16:25.580 --> 00:16:25.700
it.

364
00:16:26.240 --> 00:16:27.540
But it means, first of all, that we

365
00:16:27.540 --> 00:16:29.180
can deliver a sound quality that is unparalleled.

366
00:16:30.420 --> 00:16:32.660
And because we have some good equipment, then

367
00:16:32.660 --> 00:16:35.500
we can meet all the requirements for the

368
00:16:35.500 --> 00:16:37.580
sound quality that one might expect from a

369
00:16:37.580 --> 00:16:38.400
hybrid network.

370
00:16:39.540 --> 00:16:41.940
Good, so we got that in any case.

371
00:16:42.200 --> 00:16:43.780
Then I have one last question.

372
00:16:44.340 --> 00:16:45.360
You have a lady walking by, I imagine

373
00:16:45.360 --> 00:16:46.260
you call her Mrs. Svendsen.

374
00:16:47.120 --> 00:16:48.760
Will we ever present for that lady?

375
00:16:51.880 --> 00:16:55.640
It all started when Mrs. Svendsen was on

376
00:16:55.640 --> 00:16:56.300
the edge of her seat.

377
00:16:57.600 --> 00:16:58.720
And that was a day I was sitting

378
00:16:58.720 --> 00:16:59.320
there and was bored.

379
00:16:59.560 --> 00:17:01.220
And a day I was going to make

380
00:17:01.220 --> 00:17:02.140
a terrible mistake.

381
00:17:02.400 --> 00:17:03.800
That's what you do when you become a

382
00:17:03.800 --> 00:17:04.079
bit of a fool.

383
00:17:04.440 --> 00:17:05.599
You are going to take the EP to

384
00:17:05.599 --> 00:17:05.960
pick it up.

385
00:17:06.339 --> 00:17:09.619
And then, purely by chance, Mrs. Svendsen came

386
00:17:09.619 --> 00:17:09.980
into the picture.

387
00:17:10.660 --> 00:17:12.480
And then along the way, it became an

388
00:17:12.480 --> 00:17:13.260
elaborate figure.

389
00:17:14.319 --> 00:17:18.180
And today we have one that has been

390
00:17:18.180 --> 00:17:22.599
designed as a small box, where she made

391
00:17:22.599 --> 00:17:23.520
a flower decoration.

392
00:17:23.680 --> 00:17:24.420
And that was Mrs. Svendsen.

393
00:17:24.599 --> 00:17:25.720
And now she is Mrs. Svendsen.

394
00:17:26.079 --> 00:17:27.740
And then more and more it falls on

395
00:17:27.740 --> 00:17:30.160
the person who came up with the decoration.

396
00:17:30.180 --> 00:17:31.820
Yes, because if she was known on TV,

397
00:17:31.940 --> 00:17:32.960
then I think people would also look for

398
00:17:32.960 --> 00:17:34.260
her on the street, with all the stripes

399
00:17:34.260 --> 00:17:34.780
she makes up there.

400
00:17:35.040 --> 00:17:38.500
Yes, we probably cheated a bit, because of

401
00:17:38.500 --> 00:17:41.160
course you borrow a bit from each other.

402
00:17:41.160 --> 00:17:42.680
But of course we borrowed a bit from

403
00:17:42.680 --> 00:17:43.040
each other on TV.

404
00:17:44.120 --> 00:17:46.700
And that has also given inspiration to Mrs.

405
00:17:46.760 --> 00:17:47.060
Svendsen.

406
00:17:47.100 --> 00:17:47.820
And that's what makes it fun.

407
00:17:48.180 --> 00:17:49.260
So now Mrs. Svendsen is no longer on

408
00:17:49.260 --> 00:17:49.360
TV.

409
00:17:49.560 --> 00:17:50.480
So it's a bit difficult.

410
00:17:51.040 --> 00:17:52.240
Then you have to figure it out yourself.

411
00:17:53.300 --> 00:17:53.660
Okay.

412
00:17:54.720 --> 00:17:56.600
Lars, it's often Mrs. Svendsen who gets to

413
00:17:56.600 --> 00:17:57.280
choose the music.

414
00:17:57.380 --> 00:17:59.600
But if you could choose down here, what

415
00:17:59.600 --> 00:18:00.140
would we listen to?

416
00:18:00.740 --> 00:18:02.980
Then I would choose something she would absolutely

417
00:18:02.980 --> 00:18:03.480
not like.

418
00:18:03.900 --> 00:18:05.880
And that's the game between her and me

419
00:18:05.880 --> 00:18:06.320
all the time.

420
00:18:06.520 --> 00:18:07.140
I would never like something.

421
00:18:07.140 --> 00:18:09.860
So I'll choose this one with Wendy and

422
00:18:09.860 --> 00:18:10.100
Lisa.

423
00:18:10.240 --> 00:18:10.780
It's really fun.

424
00:18:49.590 --> 00:18:50.610
I'll name your game.

425
00:18:51.050 --> 00:18:52.730
Take a chance.

426
00:18:52.850 --> 00:18:54.730
Pick a card, any card.

427
00:18:55.210 --> 00:18:57.090
I'll guess your age.

428
00:18:57.250 --> 00:18:59.010
I'll name your fate.

429
00:18:59.410 --> 00:19:01.150
But don't be shy.

430
00:19:01.410 --> 00:19:02.350
I'm waiting.

431
00:19:02.790 --> 00:19:04.370
Come to the sideshow.

432
00:19:04.730 --> 00:19:06.510
Come to the sideshow.

433
00:19:06.950 --> 00:19:07.130
Yeah.

434
00:19:10.670 --> 00:19:12.770
Come to the sideshow.

435
00:19:13.290 --> 00:19:15.150
Come get your mind blown.

436
00:19:15.310 --> 00:19:15.630
Yeah.

437
00:19:15.630 --> 00:19:15.730
Yeah.

438
00:19:19.550 --> 00:19:21.310
Mysterious and curious.

439
00:19:21.770 --> 00:19:23.510
Boy, don't be so serious.

440
00:19:26.510 --> 00:19:29.970
Cut and draw.

441
00:19:30.130 --> 00:19:40.250
There's a way to hide you from your

442
00:19:40.250 --> 00:19:40.770
show.

443
00:19:41.430 --> 00:19:44.670
It feels like what you've learned, able.

444
00:19:45.630 --> 00:19:49.230
Do you know what you're looking at?

445
00:19:49.410 --> 00:19:53.190
Can you see what's standing there?

446
00:20:03.750 --> 00:20:05.550
Come get your mind blown.

447
00:20:05.870 --> 00:20:06.070
Yeah.

448
00:20:09.510 --> 00:20:11.990
The government and pharma myths.

449
00:20:12.170 --> 00:20:14.210
Pyramid and double myth.

450
00:20:18.360 --> 00:20:21.360
Head shaking, green beret and looking cool.

451
00:20:21.360 --> 00:20:23.160
But time keeps on reducing.

452
00:20:23.740 --> 00:20:26.420
There's a man and that ain't where it's

453
00:20:26.420 --> 00:20:26.820
at.

454
00:20:27.660 --> 00:20:31.520
Time can wash away the fears.

455
00:20:31.860 --> 00:20:35.660
Stay away from the devil's tears.

456
00:20:35.980 --> 00:20:39.840
Get on your knees and on your knees.

457
00:20:40.280 --> 00:20:43.380
Can you feel the heartbeat?

458
00:20:43.940 --> 00:20:45.280
Come to the sideshow.

459
00:20:45.440 --> 00:20:47.300
Come to the sideshow.

460
00:21:09.360 --> 00:21:13.560
Time can wash away the fears.

461
00:21:13.900 --> 00:21:17.720
Stay away from the devil's tears.

462
00:21:18.340 --> 00:21:21.840
On your knees and on your feet.

463
00:21:22.500 --> 00:21:24.040
Don't be shy.

464
00:21:24.480 --> 00:21:25.420
I'm waiting.

465
00:21:25.680 --> 00:21:27.240
Come to the sideshow.

466
00:21:27.520 --> 00:21:29.320
Come to the sideshow.

467
00:21:29.620 --> 00:21:29.820
Yeah.

468
00:21:30.780 --> 00:21:34.140
Come to the sideshow.

469
00:21:34.140 --> 00:21:35.600
Come to the sideshow.

470
00:21:36.420 --> 00:21:38.040
Come get your mind blown.

471
00:21:38.340 --> 00:21:38.460
Yeah.

472
00:21:41.780 --> 00:21:44.040
Come to the sideshow.

473
00:21:46.140 --> 00:21:48.540
Come get your mind blown.

474
00:21:48.980 --> 00:21:49.240
Yeah.

475
00:29:40.950 --> 00:29:42.890
It's another kind of picture we need.

476
00:29:43.430 --> 00:29:45.650
To Pau with China in Your Hand.

477
00:33:50.010 --> 00:33:51.870
Ja, vi er taget hernede i kino, ikke

478
00:33:51.870 --> 00:33:53.850
for at se en biografforestilling, som de andre

479
00:33:53.850 --> 00:33:55.790
vi lige har set, men for at snakke

480
00:33:55.790 --> 00:33:57.390
lidt om og se, hvad det er, der

481
00:33:57.390 --> 00:33:59.250
sker bag en biografforestilling, når vi går i

482
00:33:59.250 --> 00:33:59.650
biografen.

483
00:33:59.890 --> 00:34:00.790
Det er meget sjældent, vi ser det.

484
00:34:01.590 --> 00:34:03.530
Leif, kan du fortælle lidt om, nu når

485
00:34:03.530 --> 00:34:04.650
du bestiller en film hjem.

486
00:34:06.250 --> 00:34:07.810
Er det sådan noget, har du et dannet

487
00:34:07.810 --> 00:34:10.370
indtryk af filmen, inden du køber den, eller

488
00:34:10.370 --> 00:34:11.830
er det ligesom i et lotteri?

489
00:34:12.989 --> 00:34:15.989
Ja, både over hvad angår et dansk film,

490
00:34:16.449 --> 00:34:18.070
er det lidt i spillotteriet, fordi der er

491
00:34:18.070 --> 00:34:19.730
det jo svært at vurdere inden, der har

492
00:34:19.730 --> 00:34:21.550
du kun et manuskrift, eller en bog måske

493
00:34:21.550 --> 00:34:22.050
at gå efter.

494
00:34:22.989 --> 00:34:24.870
Vandenpil i Europaen, som vi spiller i øjeblikket,

495
00:34:25.449 --> 00:34:27.330
som er blevet en virkelig stor succes, var

496
00:34:27.330 --> 00:34:28.730
jeg sikker på inden, fordi bogen er meget

497
00:34:28.730 --> 00:34:31.550
kendt, og Bill August var instruktør, og det

498
00:34:31.550 --> 00:34:33.110
lakker for kvaliteten, når Bill August laver det.

499
00:34:33.590 --> 00:34:34.870
Han har jo lavet to-tre succeser i

500
00:34:34.870 --> 00:34:36.650
forvejen, så den var jeg helt sikker på.

501
00:34:37.070 --> 00:34:38.389
Men mange gange er det i spillotteriet med

502
00:34:38.389 --> 00:34:38.870
danske film.

503
00:34:39.570 --> 00:34:40.670
Hvad så med de udenlandske?

504
00:34:41.489 --> 00:34:43.850
Ja, der kan det også være, men der

505
00:34:43.850 --> 00:34:44.710
holder jeg et blad.

506
00:34:45.530 --> 00:34:48.710
Det her, det hedder Variety, som fortæller alt

507
00:34:48.710 --> 00:34:52.330
om amerikanske og udenlandske film, nogle måneder før

508
00:34:52.330 --> 00:34:53.070
det kommer til Danmark.

509
00:34:53.590 --> 00:34:55.830
Der er bl.a. anmeldelser af, hvad de

510
00:34:55.830 --> 00:34:57.870
mener om filmen, kritikerne, og der er box

511
00:34:57.870 --> 00:34:59.490
-office, hvad de giver i kroner og ører

512
00:34:59.490 --> 00:34:59.910
i USA.

513
00:35:00.410 --> 00:35:02.370
Ud fra det kan jeg læse om, at

514
00:35:02.370 --> 00:35:03.990
den er mindet for det danske marked, og

515
00:35:03.990 --> 00:35:06.270
hvilke muligheder der er gennem de leverandører.

516
00:35:07.030 --> 00:35:08.670
Udover at du læser dig frem til det

517
00:35:08.670 --> 00:35:11.790
i Variety, så må du vel også lægge

518
00:35:11.790 --> 00:35:13.170
vægt på, hvilken skuespiller det er?

519
00:35:14.050 --> 00:35:16.070
Ja, det gør jeg også, men jeg synes,

520
00:35:16.210 --> 00:35:18.310
det er mere interessant, hvordan handlingen og hvad

521
00:35:18.310 --> 00:35:19.290
der foregår i filmen.

522
00:35:19.850 --> 00:35:21.090
Skuespillere har selvfølgelig også noget at sige.

523
00:35:21.190 --> 00:35:23.210
Der er visse navne, der virkelig er lakker

524
00:35:23.210 --> 00:35:23.730
for kvalitet.

525
00:35:24.550 --> 00:35:26.170
Hvor mange premierer har du sådan ca.

526
00:35:26.290 --> 00:35:26.550
om året?

527
00:35:27.290 --> 00:35:29.890
Det er meget forskelligt, men i Danmark, som

528
00:35:29.890 --> 00:35:32.590
jeg vil tro, I har 15-20 stykker.

529
00:35:33.070 --> 00:35:33.990
Op på vores basis.

530
00:35:35.190 --> 00:35:35.550
Godt.

531
00:35:35.750 --> 00:35:37.090
Skal vi ikke op og se operatørrummet?

532
00:35:44.470 --> 00:35:45.670
Trin, trin, trin.

533
00:35:45.730 --> 00:35:46.010
Jeg

534
00:35:46.010 --> 00:35:58.190
viser

535
00:35:58.190 --> 00:36:01.370
nu heroppe i operatørrummet, og de her kasser,

536
00:36:02.450 --> 00:36:04.050
hvad indeholder de?

537
00:36:04.330 --> 00:36:05.010
Det indeholder film.

538
00:36:05.970 --> 00:36:09.570
Vi modtager fra vores leverandør en kassette, hvor

539
00:36:09.570 --> 00:36:10.550
vi har hele filmen i.

540
00:36:10.990 --> 00:36:12.290
Jeg kan lige vise, hvordan.

541
00:36:12.450 --> 00:36:15.610
Så tager vi kassetten og åbner den her.

542
00:36:16.510 --> 00:36:19.010
Så ligger der to huller i med film.

543
00:36:20.430 --> 00:36:22.190
Sådan her, de bare vil fylde op med

544
00:36:22.190 --> 00:36:23.330
film, hvis det er for lidt tomme.

545
00:36:24.390 --> 00:36:27.750
Så tager vi kassetten, og så går vi

546
00:36:27.750 --> 00:36:31.930
herover og sætter den på et sprueapparat, der

547
00:36:31.930 --> 00:36:32.330
står her.

548
00:36:33.630 --> 00:36:36.510
Og så spruter vi simpelthen filmen op på

549
00:36:36.510 --> 00:36:37.130
et sprueapparat.

550
00:36:37.270 --> 00:36:37.870
Hvorfor gør I det?

551
00:36:38.350 --> 00:36:39.970
Det er for at samle den, for det

552
00:36:39.970 --> 00:36:40.850
er ikke til at have den i sådan

553
00:36:40.850 --> 00:36:42.750
nogle store kasser, filmen.

554
00:36:42.830 --> 00:36:44.570
Derfor samler vi den på sådan en stor

555
00:36:44.570 --> 00:36:45.890
spole her.

556
00:36:49.370 --> 00:36:50.390
Bare fylde op med film.

557
00:36:51.730 --> 00:36:53.790
Der over kan I se, der står to

558
00:36:53.790 --> 00:36:54.690
film, der er helt samlet.

559
00:36:55.590 --> 00:36:56.590
Og de er ikke til at transportere i

560
00:36:56.590 --> 00:36:58.610
sådan nogle store kassetter, derfor klipper vi af,

561
00:36:58.970 --> 00:37:00.310
så de passer ind i strimlerne.

562
00:37:01.390 --> 00:37:03.270
Og så gennemgår vi filmen, når vi modtager

563
00:37:03.270 --> 00:37:04.530
den, for at se efter, om der er

564
00:37:04.530 --> 00:37:06.110
ridser, og hvad der ellers er i.

565
00:37:06.110 --> 00:37:07.950
Hvor mange meter film er der på sådan

566
00:37:07.950 --> 00:37:08.370
en rulle der?

567
00:37:09.730 --> 00:37:12.650
Altså to timers film svarer til 3200 meter,

568
00:37:12.950 --> 00:37:14.330
altså 3200 meter film.

569
00:37:14.770 --> 00:37:16.110
Så det er temmelig langt.

570
00:37:17.630 --> 00:37:17.990
Godt.

571
00:37:18.550 --> 00:37:20.210
Nu når I, som du siger, får filmen

572
00:37:20.210 --> 00:37:20.430
hjem.

573
00:37:21.270 --> 00:37:22.950
Hvor lang tid er det så i forvejen,

574
00:37:23.110 --> 00:37:25.930
inden I får den op i biografen?

575
00:37:26.650 --> 00:37:29.230
Det er meget forskelligt, fordi lad os sige

576
00:37:29.230 --> 00:37:30.210
det lidt dærmere som her på en ny

577
00:37:30.210 --> 00:37:30.430
film.

578
00:37:30.670 --> 00:37:31.910
Så får vi den gerne en 4-5

579
00:37:31.910 --> 00:37:33.590
dage, for at vi kan vise den for

580
00:37:33.590 --> 00:37:34.790
pressen, og for at gøre den klar.

581
00:37:35.410 --> 00:37:36.670
Men er det en film, vi er med

582
00:37:36.670 --> 00:37:38.530
på, i det man kalder anden ring, hvor

583
00:37:38.530 --> 00:37:40.750
København, Aarhus, Aalborg og Odense har haft den

584
00:37:40.750 --> 00:37:42.710
inden, og modtager den fra dem af, så

585
00:37:42.710 --> 00:37:44.210
er det mange gange samme dag, som vi

586
00:37:44.210 --> 00:37:44.650
skal spille den.

587
00:37:45.390 --> 00:37:48.050
Fordi bookingerne er så hårde, altså de sætter

588
00:37:48.050 --> 00:37:50.310
filmen så hårdt, så de skal have så

589
00:37:50.310 --> 00:37:51.250
meget ud af den som muligt.

590
00:37:51.830 --> 00:37:53.510
Hvilket vil sige, at de sender den om

591
00:37:53.510 --> 00:37:55.210
søndagen, når vi skal spille den om mandagen.

592
00:37:55.970 --> 00:37:57.810
Det vil sige, at du har rigtig travlt,

593
00:37:57.830 --> 00:37:59.370
når du får sådan en film, og skal

594
00:37:59.370 --> 00:38:00.810
gå den igennem for at se, om der

595
00:38:00.810 --> 00:38:01.410
er fejl på den?

596
00:38:01.410 --> 00:38:04.010
Ja, det kan man godt sige, og den

597
00:38:04.010 --> 00:38:04.990
skal helst være i orden, for ellers har

598
00:38:04.990 --> 00:38:06.110
man lidt på den om aftenen, hvis der

599
00:38:06.110 --> 00:38:07.410
er riser eller noget på filmen.

600
00:38:08.710 --> 00:38:08.990
Godt.

601
00:38:09.190 --> 00:38:10.550
Nu når I har kigget den igennem, så

602
00:38:10.550 --> 00:38:12.250
skal den over på maskineriet?

603
00:38:12.630 --> 00:38:12.790
Ja.

604
00:38:30.680 --> 00:38:32.120
Ja, Leif, kunne du fortælle os lidt om

605
00:38:32.120 --> 00:38:32.660
den her maskine?

606
00:38:32.720 --> 00:38:35.020
Det er jo ikke en almindelig kamera, som

607
00:38:35.020 --> 00:38:36.080
I kan have hjemme i stuen til en

608
00:38:36.080 --> 00:38:36.480
smal film.

609
00:38:37.120 --> 00:38:40.800
Nej, det er 35 meter fjorarfilm, som vi

610
00:38:40.800 --> 00:38:42.740
kalder det, og de her to maskiner hører

611
00:38:42.740 --> 00:38:44.700
til Kino 1, og det er med det,

612
00:38:44.800 --> 00:38:46.640
man kalder overkørsel, hvilket vil sige, at de

613
00:38:46.640 --> 00:38:47.980
kører fra den ene maskine over på den

614
00:38:47.980 --> 00:38:49.640
anden, fordi de ikke kan have en hel

615
00:38:49.640 --> 00:38:49.900
film.

616
00:38:50.440 --> 00:38:52.280
Det er det, man kalder det gamle system.

617
00:38:52.920 --> 00:38:54.420
Nu om dagen, hvor jeg har i Kino

618
00:38:54.420 --> 00:38:56.560
2 og 3, der har vi et spoletårn,

619
00:38:56.820 --> 00:38:58.720
som I kan se bagved der, og der

620
00:38:58.720 --> 00:39:00.600
kan man have hele filmen på en gang

621
00:39:00.600 --> 00:39:01.260
uden at køre over.

622
00:39:01.900 --> 00:39:03.300
Man kører simpelthen filmen igennem, og så spoler

623
00:39:03.300 --> 00:39:05.080
den tilbage og gør den klar til næste

624
00:39:05.080 --> 00:39:05.460
forestilling.

625
00:39:05.920 --> 00:39:07.040
Men her skal vi altså køre over en

626
00:39:07.040 --> 00:39:07.420
enkelt gang.

627
00:39:08.720 --> 00:39:10.980
Kører det på automatik, eller skal der være

628
00:39:10.980 --> 00:39:12.460
en her hele tiden under forestillingen?

629
00:39:12.460 --> 00:39:14.340
Det kører på fuld automatik, men der er

630
00:39:14.340 --> 00:39:16.240
alligevel en under forestillingen til at sørge for

631
00:39:16.240 --> 00:39:18.080
skarphed og billedefejl og sådan nogle ting.

632
00:39:18.920 --> 00:39:20.920
Men det kører på fuld automatik.

633
00:39:21.640 --> 00:39:22.960
Skal vi gå over og se på den

634
00:39:22.960 --> 00:39:23.480
anden maskine?

635
00:39:30.700 --> 00:39:32.640
Det var så den nye maskine, Leif, og

636
00:39:32.640 --> 00:39:33.680
det er den, der kan tage en hel

637
00:39:33.680 --> 00:39:36.960
film uden at der skal byttes spoler?

638
00:39:37.160 --> 00:39:38.040
Uden at stoppe, ja.

639
00:39:38.600 --> 00:39:40.600
Altså princippet er det samme som maskinen i

640
00:39:40.600 --> 00:39:40.960
Kino 1.

641
00:39:41.700 --> 00:39:43.840
Det er rent besparelsesmæssigt, at jeg har gjort

642
00:39:43.840 --> 00:39:46.160
det og fået spoletårnet på, fordi sådan en

643
00:39:46.160 --> 00:39:49.800
maskine står i 250-300.000 kr., og

644
00:39:49.800 --> 00:39:51.260
så er det billigere at få spoletårnet på,

645
00:39:51.440 --> 00:39:52.600
og så kan du køre hele filmen på

646
00:39:52.600 --> 00:39:52.900
en gang.

647
00:39:55.200 --> 00:39:57.640
Ellers er maskinen fuld udmanet til den anden,

648
00:39:58.020 --> 00:39:59.360
og den anden kan lige så meget som

649
00:39:59.360 --> 00:39:59.660
den her.

650
00:40:00.080 --> 00:40:02.140
Det er simpelthen rent besparelse, der gør, at

651
00:40:02.140 --> 00:40:03.080
jeg kan køre filmen på en gang.

652
00:40:03.460 --> 00:40:04.840
Og det er selvfølgelig også nemmere at køre

653
00:40:04.840 --> 00:40:06.680
hele filmen ind og hen, end at køre

654
00:40:06.680 --> 00:40:07.720
over på automatik.

655
00:40:09.560 --> 00:40:12.140
Og det andet, I kan se fornede i

656
00:40:12.140 --> 00:40:13.840
det lille apparat, det er det, man kalder

657
00:40:13.840 --> 00:40:14.660
en kodakausel.

658
00:40:15.020 --> 00:40:18.200
Den bruger vi til lokalreglame, til at køre

659
00:40:18.200 --> 00:40:19.640
på det, man kalder døde billeder, altså uden

660
00:40:19.640 --> 00:40:20.680
lyd og noget andet.

661
00:40:24.660 --> 00:40:27.120
Nu når I har sådan en film der,

662
00:40:27.660 --> 00:40:29.020
og vi ser den hjemme i, så kører

663
00:40:29.020 --> 00:40:29.320
det jo.

664
00:40:29.460 --> 00:40:30.940
Der er jo ikke nogen hakker imellem billederne.

665
00:40:31.040 --> 00:40:32.580
Hvor mange billeder ligger der sådan på en

666
00:40:32.580 --> 00:40:33.300
film per sekund?

667
00:40:34.000 --> 00:40:36.140
Der går 24 billeder i sekundet.

668
00:40:36.140 --> 00:40:38.460
Til et billede her.

669
00:40:38.520 --> 00:40:40.340
Vi kan gå over bagefter og se, hvor

670
00:40:40.340 --> 00:40:42.420
lille et billede egentlig er, inden det bliver

671
00:40:42.420 --> 00:40:42.920
blæst op.

672
00:40:43.280 --> 00:40:44.260
Og det bliver jo blæst op, jeg ved

673
00:40:44.260 --> 00:40:46.200
ikke, flere hundrede gange, for at få fuld

674
00:40:46.200 --> 00:40:46.560
størrelse.

675
00:40:47.220 --> 00:40:48.620
Så vi kan se det nede på lageret.

676
00:40:49.160 --> 00:40:51.060
Men der går, ja der går måske en

677
00:40:51.060 --> 00:40:52.300
million eller to, jeg har aldrig regnet ud

678
00:40:52.300 --> 00:40:53.980
på en film, men det er den størrelsesorden

679
00:40:53.980 --> 00:40:54.660
i hvert fald.

680
00:40:55.040 --> 00:40:57.240
Ja, her har vi så et billede, som

681
00:40:57.240 --> 00:40:59.200
der går 24 af i sekundet på.

682
00:40:59.700 --> 00:41:01.380
Og det vi har ude i højre side

683
00:41:01.380 --> 00:41:03.380
her, det er det her tunespor, det er

684
00:41:03.380 --> 00:41:04.120
der, hvor lyden den kommer.

685
00:41:04.680 --> 00:41:06.200
Og det er meget vigtigt, når vi modtager

686
00:41:06.200 --> 00:41:07.920
filmen, at tjekke den ordentligt af, at der

687
00:41:07.920 --> 00:41:10.200
ikke er en slør eller noget på filmen.

688
00:41:10.240 --> 00:41:12.780
For så kan vi enten blive uskarp, eller

689
00:41:12.780 --> 00:41:13.820
også blive en ridse.

690
00:41:14.020 --> 00:41:15.900
Og det er meget vigtigt at gennemgå det

691
00:41:15.900 --> 00:41:17.140
ordentligt, når man modtager filmen.

692
00:41:18.840 --> 00:41:21.340
Ja, og her der spoler vi filmen tilbage

693
00:41:21.340 --> 00:41:22.660
og går klar til næste forestilling.

694
00:41:23.740 --> 00:41:26.280
Den forestilling, I har overværet noget af her

695
00:41:26.280 --> 00:41:28.380
i formiddag, er en skoleforestilling, vi har haft

696
00:41:28.380 --> 00:41:29.100
på Pellerupåen.

697
00:41:29.720 --> 00:41:31.080
Og vi har en i eftermiddag igen.

698
00:41:31.680 --> 00:41:34.160
Og faktisk de næste par uger, hver dag,

699
00:41:34.440 --> 00:41:35.700
en forestilling på Pellerupåen.

700
00:41:36.440 --> 00:41:39.080
Den er meget mindet til skolerne, fordi mange

701
00:41:39.080 --> 00:41:42.120
af dem har læst bogen, og derfor har

702
00:41:42.120 --> 00:41:43.220
vi alle de skoleforestillinger på den.

703
00:41:44.240 --> 00:41:45.820
Er der stadigvæk ikke mulighed for at ringe

704
00:41:45.820 --> 00:41:48.860
til her nuleg, for at få en forestilling

705
00:41:48.860 --> 00:41:49.220
på den?

706
00:41:49.360 --> 00:41:50.580
Eller er der bukket så meget op?

707
00:41:50.880 --> 00:41:51.380
Ja, det er.

708
00:41:51.920 --> 00:41:53.080
Ja, de næste par uger er der næsten

709
00:41:53.080 --> 00:41:55.420
bukket op, men der er stadigvæk huller indimellem.

710
00:41:55.820 --> 00:41:57.080
Så man kan ringe hver dag mellem 10

711
00:41:57.080 --> 00:41:59.260
og 12 på kinostelefonen, og der sidder I

712
00:41:59.260 --> 00:41:59.660
og tager imod.

713
00:42:03.760 --> 00:42:04.500
Vi siger tak.

714
00:42:04.760 --> 00:42:05.440
Ja, selv tak.

715
00:42:05.520 --> 00:42:06.000
Tak fordi I kom.

716
00:42:14.480 --> 00:42:22.800
Den næste musikvideo, jeg skal præsentere, det er

717
00:42:22.800 --> 00:42:23.540
Mr. Mister.

718
00:42:24.160 --> 00:42:25.580
Og nu skal vi lige se på min

719
00:42:25.580 --> 00:42:28.060
fjernskrive her, hvad den hedder.

720
00:42:31.290 --> 00:42:32.990
Den hedder Healing Weather.

721
00:43:37.960 --> 00:43:41.640
Hvor skal vi hen, når alle vores tid

722
00:43:41.640 --> 00:43:43.360
blevet forbrudt?

723
00:43:47.830 --> 00:43:49.540
Bare hold mig tilbage.

724
00:43:50.520 --> 00:43:53.820
Hvem er rigtig og hvem er fejl?

725
00:43:54.820 --> 00:43:57.420
Der er ingen anledning.

726
00:43:59.500 --> 00:44:06.660
Det er der, hvor det helbredende hjerte er

727
00:44:06.660 --> 00:44:07.340
slået.

728
00:44:07.340 --> 00:44:14.030
Der er ingen anledning.

729
00:44:14.030 --> 00:44:16.590
Det er der, hvor det helbredende hjerte er

730
00:44:16.590 --> 00:44:17.870
slået.

731
00:44:17.870 --> 00:44:24.610
Det er tiden for Gud, min hjerte.

732
00:44:28.750 --> 00:44:33.530
Den siger mig, at jeg ikke forstår meget.

733
00:44:38.870 --> 00:44:43.950
Men jeg, men jeg, skal vide, så jeg

734
00:44:43.950 --> 00:44:45.290
kan kæmpe på.

735
00:44:48.830 --> 00:44:52.730
Her er hver eneste bevægelse, der er på

736
00:45:13.560 --> 00:45:14.340
vores hjerne.

737
00:45:32.260 --> 00:45:38.900
Der er en river, der går dæk i

738
00:45:38.900 --> 00:45:40.220
min hjerne.

739
00:45:49.580 --> 00:45:54.640
Hvor skal vi hen, når alle vores tid

740
00:45:54.640 --> 00:45:55.960
blevet forbrudt?

741
00:46:00.180 --> 00:46:07.100
Bare hold mig tilbage, der er rigtig langt

742
00:46:07.100 --> 00:46:11.180
Og der er ingen grund til det One

743
00:46:11.180 --> 00:46:33.670
in a million, who believes us chains But

744
00:46:33.670 --> 00:46:36.690
you know only that he's the one who

745
00:46:36.690 --> 00:46:40.050
needs us And if the wind bereits to

746
00:46:40.050 --> 00:46:44.830
reach my toe And if the will of

747
00:46:44.830 --> 00:46:47.990
my faith stops me I hope that he

748
00:46:47.990 --> 00:47:18.830
can reach my soul Reach my soul Så

749
00:47:18.830 --> 00:47:21.670
nåede vi frem til aftenens heje, og vi

750
00:47:21.670 --> 00:47:23.250
har en ung pige, der går i 6.

751
00:47:23.370 --> 00:47:25.710
klasse, som hedder Linda, og Linda hun godt

752
00:47:25.710 --> 00:47:28.830
tænkte sig at passe nogle børn efter skoletid,

753
00:47:29.070 --> 00:47:30.450
så hvis der er nogen, der har nogle

754
00:47:30.450 --> 00:47:30.890
børn, Linda, så kan du godt tænke dig

755
00:47:30.890 --> 00:47:30.990
at passe nogle børn efter skoletid, så hvis

756
00:47:30.990 --> 00:47:31.090
der er nogen, der har nogle børn, Linda,

757
00:47:31.090 --> 00:47:31.190
så kan du godt tænke dig at passe

758
00:47:31.190 --> 00:47:31.290
nogle børn efter skoletid, så kan du godt

759
00:47:31.290 --> 00:47:31.390
tænke dig at passe nogle børn efter skoletid,

760
00:47:31.390 --> 00:47:31.490
så kan du godt tænke dig at passe

761
00:47:31.490 --> 00:47:31.590
nogle børn efter skoletid, så kan du godt

762
00:47:31.590 --> 00:47:31.690
tænke dig at passe nogle børn efter skoletid,

763
00:47:31.690 --> 00:47:31.790
så kan du godt tænke dig at passe

764
00:47:31.790 --> 00:47:31.890
nogle børn efter skoletid, så kan du godt

765
00:47:31.890 --> 00:47:40.850
tænke dig at passe nogle børn

766
00:47:40.850 --> 00:47:46.550
efter skoletid, så kan du godt tænke dig

767
00:47:46.550 --> 00:47:51.350
at passe nogle børn efter skoletid, så kan

768
00:47:51.350 --> 00:47:54.210
du godt tænke dig at tænke dig at

769
00:47:54.210 --> 00:47:54.690
passe nogle børn efter skoletid, så kan du

770
00:47:54.690 --> 00:48:03.450
godt tænke dig at en lejlighed eller en

771
00:48:03.450 --> 00:48:07.890
værelse, og det skal være i trekantområdets lille

772
00:48:07.890 --> 00:48:11.870
skændtøde jersig eller køge, og der er også

773
00:48:11.870 --> 00:48:12.470
et telefonnummer.

774
00:48:14.790 --> 00:48:19.170
Og så er der en ung kvinde med

775
00:48:19.170 --> 00:48:22.210
fast arbejde, som søger en toværelseslejlighed eller lignende,

776
00:48:23.070 --> 00:48:26.390
med eget bad og køkken, maks 2.500

777
00:48:26.390 --> 00:48:26.770
kr.

778
00:48:27.130 --> 00:48:27.330
pr.

779
00:48:27.390 --> 00:48:27.610
måned.

780
00:48:28.150 --> 00:48:31.590
Og det var så slut for os i

781
00:48:31.590 --> 00:48:32.270
denne omgang.

782
00:48:32.470 --> 00:48:34.530
Vi ses igen her på stedet den 3.

783
00:48:34.890 --> 00:48:36.070
februar kl.

784
00:48:36.190 --> 00:48:36.530
halv ti.

785
00:48:38.210 --> 00:48:39.730
Det var, hvad vi har valgt at bringe

786
00:48:39.730 --> 00:48:40.610
denne onsdag aften.

787
00:48:41.850 --> 00:48:44.630
Dagen er blevet 55 minutter længere, og selvom

788
00:48:44.630 --> 00:48:45.950
det har været koldt i dag, så har

789
00:48:45.950 --> 00:48:47.430
det ikke været rigtig vinter endnu.

790
00:48:48.310 --> 00:48:49.990
Tværtimod, der er nogen, som siger, at der

791
00:48:49.990 --> 00:48:51.770
har været dage i januar, der har været

792
00:48:51.770 --> 00:48:53.430
lige så lugende som det var den 23.

793
00:48:53.630 --> 00:48:55.230
juni sidste sommer.

794
00:48:55.230 --> 00:48:58.470
Og hverdagen i morgen, ja, det er klar

795
00:48:58.470 --> 00:49:00.150
op i løbet af dagen med 2-5

796
00:49:00.150 --> 00:49:01.170
grader varme.

797
00:49:01.750 --> 00:49:02.370
Tak for nu.

798
00:49:02.650 --> 00:49:04.370
Ha' en god uge, og vi gensynes næste

799
00:49:04.370 --> 00:49:05.530
onsdag her på kanalen.

800
00:49:25.230 --> 00:49:55.210
Danske

801
00:50:03.300 --> 00:50:03.400
tekster af Jesper Buhl Scandinavian Text Service 2018

802
00:50:03.400 --> 00:50:23.360
Danske

803
00:50:23.360 --> 00:50:23.460
tekster af Jesper Buhl Scandinavian Text Service 2018